The Late Baroque Period
The age of Absolutism and Age of Science, from around 1700 to 1750.
Music Life in the Early Eighteenth Century
- The church.
- The court. Under the patronage of kings or members of lesser nobility.
- The opera house.
The life stories of the two greatest composers of the late Baroque period show a good deal about the interaction between musicians, the patrons who supported them, and the institutions that required music. Johann Sebastian Bach labored as a church organist, a court musician, and then a major composer-ad-administrator for the Lutheran Church. George Frederic Handel, who also had a court position, became a leading opera composer and opera promoter.
Style Features of Late Baroque Music
- Rhythm: highly regular and determined; walking bass: a bass part that moves in absolutely even notes.
- Dynamics: the dynamic is steady in the whole section but abrupt dynamic contrasts were preferred.
- Tone color: sonority
- Melody: to the limits of ornateness and luxuriance; ornaments; frequent use of sequence.
- Texture: mostly polyphonic (or contrapuntal)
- The Continuo: yet all this polyphony is supported by a solid scaffold of harmony. The central importance of harmony in baroque music appears in the universal practice of the basso continuo chords.
- Music form: the patronage system asks composers to rely on formulas that could be applied to quickly and efficiently.